Гукасімвалізм і паэтычны этымалагізм у сучаснай беларускай паэзіі (на прыкладзе творчасці Рыгора Барадуліна)

Abstract

G. Borodulin’s poetry being taken as an example, such unexplored phenomena in the Belarusian linguistics as soundsymbolism and poetical etymoiogism (or sound metaphor) are considered in this article. The development of the soundsymbolism theory in Russian poetry being shortly observed, it is marked that one of the peculiarities of Borodulin’s lyric is the complication of the semantic structure of his works, the rising of the sapidity of phonetic and other means of verse. As a result, there appear phenomena dose to soundsymbolism and the spreading of poetical etymoiogism, which certainly include additional potential of sonority and expressiveness.